《徐志摩生命中的女人》是一部回溯民国时期浪漫爱情故事纪录片。本片探索了那些跨越时空的情感纠葛，揭示了徐志摩与三位重要女性的复杂情感世界。纪录片深刻还原了民国风云人物的爱情故事，徐志摩与陆小曼、林徽因的爱情三角，每一段情感纠葛都充满了激情与遗憾。通过讲述这些风花雪月的故事，展现那个时代人物的风采。

《徐志摩生命中的女人》是一部回溯民国时期浪漫爱情故事纪录片。本片探索了那些跨越时空的情感纠葛，揭示了徐志摩与三位重要女性的复杂情感世界。纪录片深刻还原了民国风云人物的爱情故事，徐志摩与陆小曼、林徽因的爱情三角，每一段情感纠葛都充满了激情与遗憾。通过讲述这些风花雪月的故事，展现那个时代人物的风采。

吉柯摩是個俊美的聾啞少年，燥熱夏天午後，他和青梅竹馬女友來到湖邊野餐，卻在森林裡迷了路，夏日戀情成了一趟冒險旅程，少年才有的愁滋味。忽然間，同一個湖邊，光景卻全然不同，他身邊的女孩換了另一個人，劇情急轉直下。導演用極簡故事道出愛情的永恆難題，手提攝影在烈陽的自然光下精準捕捉美景，獲盧卡諾影展首獎。

吉柯摩是個俊美的聾啞少年，燥熱夏天午後，他和青梅竹馬女友來到湖邊野餐，卻在森林裡迷了路，夏日戀情成了一趟冒險旅程，少年才有的愁滋味。忽然間，同一個湖邊，光景卻全然不同，他身邊的女孩換了另一個人，劇情急轉直下。導演用極簡故事道出愛情的永恆難題，手提攝影在烈陽的自然光下精準捕捉美景，獲盧卡諾影展首獎。

吉柯摩是個俊美的聾啞少年，燥熱夏天午後，他和青梅竹馬女友來到湖邊野餐，卻在森林裡迷了路，夏日戀情成了一趟冒險旅程，少年才有的愁滋味。忽然間，同一個湖邊，光景卻全然不同，他身邊的女孩換了另一個人，劇情急轉直下。導演用極簡故事道出愛情的永恆難題，手提攝影在烈陽的自然光下精準捕捉美景，獲盧卡諾影展首獎。

这是一部由泰国电视台制作的泰剧，可爱俏皮的女主和帅气阳光的男主即将演绎一段浪漫的爱情。这部剧轻松诙谐的情景喜剧由Blue与Frung Narikunn主演，还有许多黄金配角演员，如Rudklao Amratisha，Freudonidas，freudonidas，Title等等。故事围绕帅气摩托小哥与刁蛮小霸女的欢喜冤家日常展开。

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

珠宝设计师白锦瑟意外发现未婚夫郑怀辰出轨了自己妹妹白琳琳，在跟踪渣夫收集证据的路上，邂逅了被未婚妻放鸽子的总裁墨肆年，两人一拍即合决定契约结婚。婚后墨肆年帮助白锦瑟摆脱渣男，重回职场，两人也在相处中产生了真挚的感情。

《相对秘密》是一部扣人心弦的新系列剧，它深入调查一个普通美国家庭最隐秘的谜团，既致力于解开谜团，又探寻这一谜团如何塑造着这个家庭的当下。每一个故事都充满了个性鲜明的人物、丰富的文化背景以及跌宕起伏的情节，每个故事都将美国家庭与他们的英国渊源联系起来。在此过程中，我们将结识……